Which of the Following Art Form Had the Greatest Influence on Romanric Composers
The Romantic period was one of the most innovative in music history, characterised by lyrical melodies, rich harmonies, and emotive expression. Here's our beginner's guide to the greatest composers of the Romantic menstruum
Hector Berlioz (1803-69)
The arch-Romantic composer, Hector Berlioz'southward life was all you'd expect – by plow turbulent and passionate, ecstatic and melancholic.
Cardinal recording:
Les Troyens
Sols incl DiDonato, Spyres, Lemieux; Strasbourg Philharmonic Orchestra / John Nelson(Gramophone's 2018 Recording of the Yr) Read the review
Explore Berlioz:
Hector Berlioz: music'southward great revolutionary – Tim Ashley is joined by iv great advocates of the composer to celebrate the self-taught, revolutionary musician whose eccentric genius is only now being fully recognised.
● Top 10 Baroque composers
● Superlative 10 Classical era composers
● A brief history of classical music
Fryderyck Chopin (1810-49)
Few composers command such universal beloved as Fryderyck Chopin; fifty-fifty fewer nevertheless have such a high proportion of all their music in the agile repertoire. Nevertheless he is the only great composer who wrote no symphonies, operas, ballets or choral works. His main claim to immortality relies not on large scale works just on miniature forms.
Primal recording:
Piano Concertos No 1 & 2
Martha Argerich pf Montreal Symphony Orchestra / Charles Dutoit(winner of theGramophone Concerto Award in 1999) Read the review
Explore Chopin:
The 10 greatest Chopin pianists – Stephen Plaistow recalls the illustrious recorded history of Chopin's oeuvre and offers a personal view of great Chopin interpreters.
Robert Schumann (1810-56)
Robert Schumann is a primal figure in the Romantic movement; none investigated the Romantic's obsession with feeling and passion quite and so thoroughly equally him. Schumann died insane, merely so some psychologists fence that madness is a necessary attribute of genius.
Key recording:
Symphonies Nos 1-4
Sleeping room Orchestra of Europe / Yannick Nézet‑Séguin (Editor'south Choice, May 2014) Read the review
Explore Schumann:
Schumann's symphonies: edifice a fantasy globe – Philip Clark explores why Simon Rattle, Heinz Holliger, Yannick Nézet-Séguin and Robin Ticciati are immersing themselves in Schumann's highly private sound world.
Franz Liszt (1811-86)
Composer, instructor, Abbé, Casanova, writer, sage, pioneer and champion of new music, philanthropist, philosopher and 1 of the greatest pianists in history, Franz Liszt was the very embodiment of the Romantic spirit. He worked in every field of music except ballet and opera and to each field he contributed a significant evolution.
Key recording:
'Transcendental: Daniil Trifonov plays Franz Liszt'
Daniil Trifonovpf (Recording of the Month, Oct 2016; shortlisted for Instrumental Award 2017) Read the review
Explore Liszt:
Podcast: Benjamin Grosvenor on the pianoforte music of Liszt – the young British pianist talks well-nigh his programme and how he came to the music of this piano Titan.
Richard Wagner (1813-83)
No composer has had so deep an influence on the grade of his art, earlier or since. Entrepreneur, philosopher, poet, conductor, one of the central composers in history and near remarkable men of the 19th century, Richard Wagner knew he was a genius. He was also an unpleasant, egocentric and unscrupulous human.
Fundamental recording:
Parsifal
Sols incl Jess Thomas, George London, Hans Hotter; Bayreuth Festival Chorus & Orchestra / Hans Knappertsbusch Read the review
Explore Wagner:
The Gramophone Collection: Wagner's Ring – Mike Ashman visits the musical immortals and the younger gods of today to deliver his verdict on the complete Ring on record.
Giuseppe Verdi (1813-1901)
Giuseppe Verdi was never a theoretician or academic, though he was quite able to write a perfectly poised fugue if he felt inclined. What makes him, with Puccini, the most popular of all opera composers is the ability to dream upward glorious melodies with an innate understanding of the human vocalism, to express himself directly, to understand how the theatre works, and to score with technical brilliance, color and originality.
Key recording:
Aida
Sols inclAnja Harteros, Jonas Kaufmann, Ekaterina Semenchuk; Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia / Antonio Pappano (winner of the 2016 Gramophone Opera Accolade; Recording of the Calendar month, Awards upshot 2015) Read the review
Explore Verdi:
Verdi'south Otello: a guide to the best recordings – Richard Lawrence finds at least three very special Otellos, and some electric conducting.
Anton Bruckner (1824-96)
Anton Bruckner's reputation rests nigh entirely with his symphonies – the symphonies, someone said, that Wagner never wrote.
Key recording:
Symphony No 9
Lucerne Festival Orchestra / Claudio Abbado (Gramophone's 2015 Recording of the Year) Read the review
Explore Bruckner:
Top 10 Bruckner recordings – A beginner'southward guide to the music of ane of the great symphonic composers.
Giacomo Puccini (1858-1924)
Any the atmosphere he wanted to create, Giacomo Puccini'southward audio world is unique and unmistakeable with its opulent yet clear-cut orchestration and a miraculous fund of melodies with their bittersweet, tender lyricism. His masterly writing for the voice guarantees the survival of his music for many years to come.
Key recording:
Tosca
Sols incl Maria Callas, Giuseppe di Stefano, Tito Gobbi; Orchestra and Chorus of La Scala Milan / Victor de Sabata Read the review
Explore Puccini:
Maria Callas: the Tosca sessions – Maria Callas's famous 1953 Tosca, equally Christopher Melt reveals for the first time, was riven by tension and driven by a relentless quest for perfection.
Pyotr Il'yich Tchaikovsky (1840-93)
Tchaikovsky is the almost popular of all Russian composers, his music combining some nationalist elements with a more cosmopolitan view, only it is music that could merely accept been written by a Russian. In every genre he shows himself to be one of the greatest melodic fountains who e'er lived.
Key recording:
Symphony No 6, Pathétique
MusicAeterna / Teodor Currentzis (Recording of the Month, January 2018) Read the review
Explore Tchaikovsky:
Tchaikovsky's 1812 Overture: the complete guide – How audiences, performers and the composer himself have responded to this iconic and surprisingly controversial piece of work, by Geoffrey Norris.
Johannes Brahms (1833-97)
One of the giants of classical music, Johannes Brahms appeared to get in fully armed, found a style in which he was comfortable – traditional structures and tonality in the German idiom – and stuck to it throughout his life. He was no innovator, preferring the logic of the symphony, sonata, fugue and variation forms.
Central recording:
Symphonies (Complete)
Gewandhaus Orchestra / Riccardo Chailly (Gramophone's 2014 Recording of the Year) Read the review
Explore Brahms:
Brahms's Symphony No iii: a guide to the best recordings – Richard Osborne surveys the finest recordings of the 3rd Symphony
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Source: https://www.gramophone.co.uk/features/article/top-10-romantic-composers
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